![]() ![]() Desperately seeking the one man that can help her return, an evil witch shadows her every move…Įxample 2: Dorothy is whisked away by a tornado to the Land of Oz, where she meets a group of friends each searching for something unique. Consider the following examples, and decide for yourself which one is best in each case:Įxample 1: A cyborg from the future hunts down a woman destined to later become the mother of humankind’s savior.Įxample 2: A woman must fight for her life against an unstoppable cyborg assassin, sent back from the future with one mission: to kill her and prevent a future human uprising.Įxample 1: A group of survivors struggle to escape from a revolutionary wildlife park filled with dinosaurs after a bribed employee sabotages the predators’ security gates.Įxample 2: A rich philanthropist leads a team of scientists to populate a wildlife park with living dinosaur clones.Įxample 1: A young girl finds herself transported to a surreal land far way from home. So we’ve already covered the basic definition in that a logline should describe the story, but a great logline should go a little further for that. Today we’ll be looking at how to get the best out of your logline, and why it should be a high priority. … as well as being something you should ignore at your peril! As you’ve no doubt already noticed, this post extends onwards and that’s because a logline is a surprisingly tricky thing to master… The definition of a logline: one line (or two at the most) which describes what your screenplay is about.
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